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This notable film "Baptism of Fire" was produced by the US Army Pictorial Services in WWII. It was created as part of the "Fighting Man" series of films, to prepare U.S. Army recruits for the grim business of combat against Axis troops. The film has impressive production values and a highly realistic (for the time) battle sequence. After it was released in 1943, the film was nominated for Best Documentary at the Academy Awards (it was also nominated for an Oscar in 1944). The film's plot surrounds the narrative of a G.I. named Bill; who is played by Elisha Cook Jr. Bill is a green recruit who is new to the front and preparing for his first taste of battle. The film was intended to teach fighting men that by acquiring knowledge, such as how to identify the enemy and learning the basics of how to fight hand to hand, they might reduce their anxiety, and achieve more personal security leading to a higher chance that they will be effective and both survive combat and succeed in the mission.
The film opens as the Radio Telephone Operator or RTO spots enemy planes flying in formation (:23). He calls the sighting in and the men are called to action (:43). Whistles blow, soldiers dive into dug outs and ready their weapons for firing (:55). The sergeant receives a call the planes have moved to a different direction (1:12). The young soldier Bill appears (2:02) as he is called for detail. An Army ambulance sits spinning stuck in the mud (2:29). As the men work to free the entrenched vehicle, Jim is recognized by a wounded soldier within the ambulance (3:33). Some of the soldiers drift to sleep against their machine guns en route (5:07) to relieve a squadron. Soldiers discuss the moment with which the battle becomes real and is no longer practice maneuvers (5:42). The group jumps from their transport vehicle to rest (6:48). Jim is instructed not to allow worry of the worst to consume him but to learn as much about the enemy and the situation as he can (7:19). Jim reminisces about home (8:24). He says goodbye to his girl Jane (9:17) at the gate. Men are called back to the vehicle (10:58). Foot soldiers move alongside tanks (12:55) cutting tracks into the dirt. The squadron leader reminds men of the mission noting the enemy position (14:24). Soldiers express anxiety over the quiet; the waiting period prior to the start of a mission (14:50). A whirring sings through the air and a bomb hits the ground throwing dirt as Bill and a comrade duck for cover (15:22). The sound of explosions increase and draw nearer (15:59). The signal is called and the men spring from dug out positions (16:27) into action. Long range guns rip holes in the earth (17:02). A sentry gun blows back (17:12). Fighter planes zoom in (17:30). One after another, German Stuka planes break from formation to dive bomb and strafe, (18:03) as Jim watches from below. Soldiers drop to the ground (18:24). Jim begins to feel more confident in his movements (19:30). A burning man escapes from his tank (20:10). Bill finds Pete as he begins to freeze in his position (20:35). The character Pete; played by Peter Whitney, (20:51) drops his rifle in a panic and runs into Jim and Bill. Jim readies his rifle (22:09) noticing the Nazi soldiers making an error and ‘bunching up’. A fellow combat soldier is hit in the throat (22:48). Jim hesitates to fire at an enemy soldier as a friendly soldier swoops in with a bayonet (23:38) saving the green soldier. Jim recognizes his rifle is smashed (24:20) lying next to a dead man. He snags the dead soldiers rifle and canteen (25:07). He recalls being warned of momentary paralysis during training (25:33). Bill is found wounded (26:12), hit by a sniper. Pete and Jim set the wound (26:57). Jim shoots his first Nazi soldier (27:31) and discovers more confidence. As the fighting lines mingle, men begin to fight hand to hand (29:06). Jim successfully bayonets an attacking Nazi soldier (30:02). Pete and Jim fight side by side (30:32). Combat subsides as the wounded are lifted on litters from the battle field (31:21). An RTO calls in the information that the objective had been reached (31:34) as his own wounds are dressed. The wounded and more seasoned soldiers return to the convoy (32:37). The trio mull over the recent battle and what went wrong and right as others celebrate their win in a tavern (33:12).
This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com
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“In All the World…” is a 1940s color promotional film highlighting Great Northern Railway’s service from Chicago to Glacier National Park and beyond to Seattle and Portland. Narrated by James F. Clemenger, the film highlights one of the stops along the Great Northern Railway route - Glacier National Park and Waterton Lakes National Park across the international boundary in Alberta, Canada. Specifically, the film follows a group of travelers who have arrived on the Empire Builder luxury train from Chicago as they explore the natural wonders that the park has to offer.
Upbeat music, footage opens to spinning globe and opening credits (0:10). Narration begins, globe stops spinning and camera zooms into United States (0:42). Great Northern Railway route appears on map spanning Chicago, St. Paul, Minneapolis, Glacier National Park (Montana), Spokane, Seattle, Portland, San Francisco, Los Angeles (0:49). White water waterfall rushes through rocky cliffs lined with pine trees, montage scenic nature shots around the national park (1:11). Great Northern 2584 Steam Locomotive pulls into East Glacier Park station: Passengers disembark Empire Builder, greeted by members of Blackfeet Nation (1:36). Glacier Park Lodge, visitors walk through beautiful, manicured grounds (2:36). Reception area of lodge, constructed out of dark timber (3:22). 1936 White Model 706 Glacier National Park Tour Buses depart lodge for excursion, vivid orange color contrasts dark greens and browns of rugged nature (3:59). Trick Falls (4:55). Two Medicine Chalet on shore of Two Medicine Lake, view of rugged peak of Mount Rockwell (5:26). Glacier Park Boat Company tour of lake on historic wooden boats (6:05). Twin Falls (6:32). Round of golf at Glacier Park Hotel (7:12). After dinner, hotel guests dance to live band (7:49). Group head out on horseback for camping, exploration of park (8:27). Blackfoot Indians wearing traditional dress partake in ceremonial dances, guests talk with tribe members and learn about their history (8:52). Tour bus drives up Medicine Valley, view of Rising Wolf Mountain (10:39). Trees frame lookout view point of Cut Bank Valley (10:50). Divide Mountain (on Hudson Bay Divide) (10:57). Lower St. Mary Lake (11:20). Sign Waterton Lakes National Park, Canadian customs (11:40). Prince of Wales Hotel, Mount Crenel behind (12:02). View from lobby of Waterton Lake surrounded by Canadian Rockies, Mount Cleveland (12:20). Sightseeing cruise on Waterton Lake (12:58). Goat Haunt Camp (13:30). Cameron Falls (14:22). Kids play in horse-drawn carts (14:51). Women fawn over “Mountie” (Royal Canadian Mounted Police) (15:08). Our Lady of Mount Carmel Catholic Church (Waterton first Catholic Church) (15:15). United States Customs (16:02). Tour bus travels along banks of Swiftcurrent River (16:30). Government check-in station (16:36). Swiftcurrent Falls (17:13). Vantage point on top of Mount Elton, overlooking Swiftcurrent Lake, Many Glacier Hotel, Lake Josephine, Grinnell Lake (17:19). Visitors relax on porch of Many Glacier Hotel, other activities: Fishing in Swiftcurrent Lake, cold plunge and swim in waters (17:44). Hike through forest to Lake Josephine, view of Grinnell Glacier (19:30). Young women feed, play with squirrels (20:16). Guests dress up in cowboy regalia, head out for Grinnell Glacier on horseback (21:11). Mount Gould (22:03). Jade-green water of Grinnell Lake (22:59). Group stops and eats packed lunch, continues on rest of trail on foot (23:58). Close-up glacial mud (24:42). Snowball fight on top of glacier (25:14). Tour bus drives along Going-to-the-Sun Road, view St. Mary Lake and Divide Mountain in distance (26:14). Mount Citadel (26:56). Going-to-the-Sun Mountain (27:03). Other group heads out for trail ride through Gunsight Pass to Lake McDonald (27:46). Yellow, red seep monkeyflowers (28:32). Tour buses exit tunnel on Going-to-the-Sun Road (29:07). St. Mary Valley, Mount Morgan (29:32). Logan Pass (29:53). Lake McDonald Hotel (31:18). Waterskiing on lake, swimming (31:47). Mount Cannon (32:24). Tour buses take guests to Belton Railway Station at Western Gateway to Glacier Park (33:12). Empire Builder departs Belton for Pacific Northwest (33:49). Great Northern Railway logo with goat (34:15). Film ends (34:26).
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This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com
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Narrated by Russ Hall, “What’s in it for Me?” (1971) is a color documentary film by German-American film producer and advertising executive Konstantin Kalser for Volkswagen. The film discusses the benefits of world trade and the free market on the cusp of the completion of the World Trade Center, which opened in 1973. The film opens with views of the towers being built and shots of New York’s iconic skyline, before cutting to examples of various products made possible through international trade. The film also features footage of a Volkswagen testing facility and VW vehicles are mentioned or seen throughout the film.
Construction worker in red hard hat speaks to camera about imports and how they impact his job, hard hat labeled “KOCH” for Karl Koch Steel Consulting (0:05). Close-up of iron frame of World Trade Center buildings as they are being built, footage switches to aerial view of the buildings and Lower Manhattan skyline (0:32). Group of red Favelle Favco STD 2700 tower cranes with “KOCH” logo and image of kangaroo (1:05). Shots of skilled steelworkers in hard hats directing cranes as they lay infrastructure of building at high heights (1:18). Close-up of all the construction workers’ feet, all wear similar boot style (1:48). Bustling pedestrian traffic along 5th Avenue, camera zooms into pedestrians’ feet, showing off all the different fashionable styles on offer to consumers (2:01). Alitalia Boeing 747 taxis for take-off followed by Douglas DC-8-51 Aeronaves de Mexico plane (2:39). Quality of life and making of culture: sequence of shots of posters for live performances, restaurants of international cuisine i.e. Greek, Chinese, Italian, shots from New York’s Little Italy, Chinatown (3:01). Exterior Lincoln Center, interior performance attendees in black tie attire (3:36). Crowd cheers as two soccer teams face off on pitch in Yankee Stadium (3:53). Models show off elegant designs on runway at New York Fashion Week (4:11). Montage shots taken at garment factory in New York’s garment district, men and women hunched over row of industrial sewing machines reproduce luxury garments for mass American audience, women seen shopping for dress in Ohrbach's Department Store (4:56). Tractors, backhoe diggers ride around grounds of Nashville Glass Plant to prepare for factory expansion project (6:01). Behind the scenes production of pane of glass using Pilkington Float-Glass Method at factory, sequence of shots of automated production using centralized switch board, advanced machinery; Plant employee cuts glass to fit car windows; Glass packaged into boxes to be shipped to Volkswagen plant in Germany (6:27). Seatrain Lines branded shipping containers stacked at shipyard in New York Harbor, loaded onto British Euroliner container ship by large cranes, shipyard employees in hard hats direct cargo to next destination (7:57). View south on Riverside Drive toward the George Washington Bridge (10:20). 1971 Ford Pinto in parking lot of car dealership (10:35). Mid-century Modern style office buildings (10:40). IBM System/360 computer mainframe in corporate office space (11:01). Executives meet in conference room, other employees in cafeteria during lunch hour (11:17). Lecture for car mechanics in training on computerized fuel injector (11:35). Mechanics use “latest” diagnostic tools to screen vehicles, 1967 VW Fastback Sedan in background (11:57). Car part warehouse employee uses crane to reach supplies, large truck supplying Volkswagen, Porsche, Audi pulls out of warehouse to deliver parts across America (12:07). Various models of 70s-era television sets on display at electronics shop, young woman picks one out and it is loaded into her VW camper van (12:30). Close-up face of Timex US wrist watch, close-up shot interior of clock/ mechanism that makes watch tick (13:03). Display case of mechanical SLRs from different international brands: Leica, Nikon F, Polaroid 450 (13:23). Man uses Polaroid 450, shoots photo of New York skyline as sun sets (13:52). Closing credits (14:04).
Motion picture films don't last forever; many have already been lost or destroyed. For almost two decades, we've worked to collect, scan and preserve the world as it was captured on 35mm, 16mm and 8mm movies -- including home movies, industrial films, and other non-fiction. If you have endangered films you'd like to have scanned, or wish to donate celluloid to Periscope Film so that we can share them with the world, we'd love to hear from you. Contact us via the weblink below.
This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com
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Want to learn more about Periscope Film and get access to exclusive swag? Join us on Patreon. Visit https://www.patreon.com/PeriscopeFilm
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This notable film "Baptism of Fire" was produced by the US Army Pictorial Services in WWII. It was created as part of the "Fighting Man" series of films, to prepare U.S. Army recruits for the grim business of combat against Axis troops. The film has impressive production values and a highly realistic (for the time) battle sequence. After it was released in 1943, the film was nominated for Best Documentary at the Academy Awards (it was also nominated for an Oscar in 1944). The film's plot surrounds the narrative of a G.I. named Bill; who is played by Elisha Cook Jr. Bill is a green recruit who is new to the front and preparing for his first taste of battle. The film was intended to teach fighting men that by acquiring knowledge, such as how to identify the enemy and learning the basics of how to fight hand to hand, they might reduce their anxiety, and achieve more personal security leading to a higher chance that they will be effective and both survive combat and succeed in the mission.
The film opens as the Radio Telephone Operator or RTO spots enemy planes flying in formation (:23). He calls the sighting in and the men are called to action (:43). Whistles blow, soldiers dive into dug outs and ready their weapons for firing (:55). The sergeant receives a call the planes have moved to a different direction (1:12). The young soldier Bill appears (2:02) as he is called for detail. An Army ambulance sits spinning stuck in the mud (2:29). As the men work to free the entrenched vehicle, Jim is recognized by a wounded soldier within the ambulance (3:33). Some of the soldiers drift to sleep against their machine guns en route (5:07) to relieve a squadron. Soldiers discuss the moment with which the battle becomes real and is no longer practice maneuvers (5:42). The group jumps from their transport vehicle to rest (6:48). Jim is instructed not to allow worry of the worst to consume him but to learn as much about the enemy and the situation as he can (7:19). Jim reminisces about home (8:24). He says goodbye to his girl Jane (9:17) at the gate. Men are called back to the vehicle (10:58). Foot soldiers move alongside tanks (12:55) cutting tracks into the dirt. The squadron leader reminds men of the mission noting the enemy position (14:24). Soldiers express anxiety over the quiet; the waiting period prior to the start of a mission (14:50). A whirring sings through the air and a bomb hits the ground throwing dirt as Bill and a comrade duck for cover (15:22). The sound of explosions increase and draw nearer (15:59). The signal is called and the men spring from dug out positions (16:27) into action. Long range guns rip holes in the earth (17:02). A sentry gun blows back (17:12). Fighter planes zoom in (17:30). One after another, German Stuka planes break from formation to dive bomb and strafe, (18:03) as Jim watches from below. Soldiers drop to the ground (18:24). Jim begins to feel more confident in his movements (19:30). A burning man escapes from his tank (20:10). Bill finds Pete as he begins to freeze in his position (20:35). The character Pete; played by Peter Whitney, (20:51) drops his rifle in a panic and runs into Jim and Bill. Jim readies his rifle (22:09) noticing the Nazi soldiers making an error and ‘bunching up’. A fellow combat soldier is hit in the throat (22:48). Jim hesitates to fire at an enemy soldier as a friendly soldier swoops in with a bayonet (23:38) saving the green soldier. Jim recognizes his rifle is smashed (24:20) lying next to a dead man. He snags the dead soldiers rifle and canteen (25:07). He recalls being warned of momentary paralysis during training (25:33). Bill is found wounded (26:12), hit by a sniper. Pete and Jim set the wound (26:57). Jim shoots his first Nazi soldier (27:31) and discovers more confidence. As the fighting lines mingle, men begin to fight hand to hand (29:06). Jim successfully bayonets an attacking Nazi soldier (30:02). Pete and Jim fight side by side (30:32). Combat subsides as the wounded are lifted on litters from the battle field (31:21). An RTO calls in the information that the objective had been reached (31:34) as his own wounds are dressed. The wounded and more seasoned soldiers return to the convoy (32:37). The trio mull over the recent battle and what went wrong and right as others celebrate their win in a tavern (33:12).
This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com