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This untitled instructional film presented by the US Army from the 1950s shows an American soldier setting up various models of American-made military-grade landmines used throughout the Cold War. A land mine is an explosive device concealed under or on the ground and designed to destroy or disable enemy targets. The use of land mines is controversial because of their potential and indiscriminate weapons. They can remain dangerous many years after a conflict has ended and pose a threat to civilian safety. During the Cold War the United States used the M6 anti tank mine and trip-wire operated bounding antipersonnel mines such as the M2 and M16 which are some of the explosives featured in this instructional film.
Close-up of landmine being buried in soil (0:09). Hand turns dial on top of the landmine (0:40). A US Army soldier sets up and charges a 1950s M6 Landmine (0:51). Soldier sets up M14 Blast Mine (1:20). Soldier buries and disguises the M14 (3:45). Soldier places a safety pin around the indicator arrow to prevent premature explosion (4:16). Illustration of how buried M14 Landmine functions (5:18). Soldier sets up M16 Landmine (5:49). Illustration of explosion radius of the M16 (7:55).
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“In All the World…” is a 1940s color promotional film highlighting Great Northern Railway’s service from Chicago to Glacier National Park and beyond to Seattle and Portland. Narrated by James F. Clemenger, the film highlights one of the stops along the Great Northern Railway route - Glacier National Park and Waterton Lakes National Park across the international boundary in Alberta, Canada. Specifically, the film follows a group of travelers who have arrived on the Empire Builder luxury train from Chicago as they explore the natural wonders that the park has to offer.
Upbeat music, footage opens to spinning globe and opening credits (0:10). Narration begins, globe stops spinning and camera zooms into United States (0:42). Great Northern Railway route appears on map spanning Chicago, St. Paul, Minneapolis, Glacier National Park (Montana), Spokane, Seattle, Portland, San Francisco, Los Angeles (0:49). White water waterfall rushes through rocky cliffs lined with pine trees, montage scenic nature shots around the national park (1:11). Great Northern 2584 Steam Locomotive pulls into East Glacier Park station: Passengers disembark Empire Builder, greeted by members of Blackfeet Nation (1:36). Glacier Park Lodge, visitors walk through beautiful, manicured grounds (2:36). Reception area of lodge, constructed out of dark timber (3:22). 1936 White Model 706 Glacier National Park Tour Buses depart lodge for excursion, vivid orange color contrasts dark greens and browns of rugged nature (3:59). Trick Falls (4:55). Two Medicine Chalet on shore of Two Medicine Lake, view of rugged peak of Mount Rockwell (5:26). Glacier Park Boat Company tour of lake on historic wooden boats (6:05). Twin Falls (6:32). Round of golf at Glacier Park Hotel (7:12). After dinner, hotel guests dance to live band (7:49). Group head out on horseback for camping, exploration of park (8:27). Blackfoot Indians wearing traditional dress partake in ceremonial dances, guests talk with tribe members and learn about their history (8:52). Tour bus drives up Medicine Valley, view of Rising Wolf Mountain (10:39). Trees frame lookout view point of Cut Bank Valley (10:50). Divide Mountain (on Hudson Bay Divide) (10:57). Lower St. Mary Lake (11:20). Sign Waterton Lakes National Park, Canadian customs (11:40). Prince of Wales Hotel, Mount Crenel behind (12:02). View from lobby of Waterton Lake surrounded by Canadian Rockies, Mount Cleveland (12:20). Sightseeing cruise on Waterton Lake (12:58). Goat Haunt Camp (13:30). Cameron Falls (14:22). Kids play in horse-drawn carts (14:51). Women fawn over “Mountie” (Royal Canadian Mounted Police) (15:08). Our Lady of Mount Carmel Catholic Church (Waterton first Catholic Church) (15:15). United States Customs (16:02). Tour bus travels along banks of Swiftcurrent River (16:30). Government check-in station (16:36). Swiftcurrent Falls (17:13). Vantage point on top of Mount Elton, overlooking Swiftcurrent Lake, Many Glacier Hotel, Lake Josephine, Grinnell Lake (17:19). Visitors relax on porch of Many Glacier Hotel, other activities: Fishing in Swiftcurrent Lake, cold plunge and swim in waters (17:44). Hike through forest to Lake Josephine, view of Grinnell Glacier (19:30). Young women feed, play with squirrels (20:16). Guests dress up in cowboy regalia, head out for Grinnell Glacier on horseback (21:11). Mount Gould (22:03). Jade-green water of Grinnell Lake (22:59). Group stops and eats packed lunch, continues on rest of trail on foot (23:58). Close-up glacial mud (24:42). Snowball fight on top of glacier (25:14). Tour bus drives along Going-to-the-Sun Road, view St. Mary Lake and Divide Mountain in distance (26:14). Mount Citadel (26:56). Going-to-the-Sun Mountain (27:03). Other group heads out for trail ride through Gunsight Pass to Lake McDonald (27:46). Yellow, red seep monkeyflowers (28:32). Tour buses exit tunnel on Going-to-the-Sun Road (29:07). St. Mary Valley, Mount Morgan (29:32). Logan Pass (29:53). Lake McDonald Hotel (31:18). Waterskiing on lake, swimming (31:47). Mount Cannon (32:24). Tour buses take guests to Belton Railway Station at Western Gateway to Glacier Park (33:12). Empire Builder departs Belton for Pacific Northwest (33:49). Great Northern Railway logo with goat (34:15). Film ends (34:26).
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This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com
,1,This incomplete 1950s color film documents an round-the-world trip on the refurbished ocean liner M.S. Willem Ruys (later known as the Achille Lauro). The film dates to sometime after 1958, when the Royal Rotterdamsche Lloyd and the Netherland Line signed a co-operative agreement to create a round-the-world passenger service. Their joint fleet would sail under the banner of "The Royal Dutch Mail Ships". It's possible this film dates to March 1959, when Willem Ruys went off on her new world service to Australia and New Zealand. She departed from Rotterdam, sailing via Southampton, the Mediterranean, the Suez Canal, Fremantle, Melbourne, Sydney, New Zealand, returning via the Panama Canal. The Royal Dutch Mail Ships (Willem Ruys, Johan van Oldenbarnevelt and Oranje) became a popular alternative to the British liners.
The film opens with the Captain looking through binoculars (:08). Passengers disembark from the Dutch passenger liner M.S. Willem Ruys of the Royal Rotterdam Lloyd docked at Rotterdam (:28-:48). Shown are a colorful “Voir La France” vintage postcard, “Motoring in Germany” booklet, and “Sightseeing Tours in Belgium” booklets (:51-:57). A grandmother dresses a doll and a grandfather constructs a wooden dollhouse. Both are packed into a crate and loaded on the ship (1:00-1:42). A crowd waits for some passengers to disembark and then waves goodbye to others as the ship is pulled out to sea by tugboats (2:00-2:50). A large net of cargo is lifted in the air (3:14). A white tour bus rounds a corner. It stops at an Abbey and restaurant (3:15-3:42). The cargo crane operator is seen through the crane’s window panes as cargo swings in the air amid ticker tape from those on deck and on the dock. Tugboats pull the ship away (3:43-4:12). A man enters the “Knatoor Adminstrateur Pursers Office” where crew officers are doing paperwork (4:14-4:32). Passengers view Portugal from the deck (4:42). Passengers relax on deck, some reading (5:03). A pianist and drummer play while passengers dance (5:36). A sign advertises “Port Said” on the round-the-world trip (6:12). A crew member uses a pirate handheld telescope to view an approaching small boat (6:16). The ship passes through the Suez Canal (6:48-6:54). In Cairo, a man rides a bicycle with a large plate of stacked bread balanced on his head (6:58). People cross a street wearing long robes and others wear suits and dresses (7:07). The pyramids rise in the distance (7:17). A tourist wearing a French beret and suit rides a camel (7:25). The wall of a pyramid is scanned (7:37). Locals wearing traditional desert long robes guide camels with tourists riding them past pyramids and ruins to the Sphinx of Gaza (7:44-8:20). Camels with colorful blankets kush. A closeup of a camel head shows the decorated reins. A local climbs on board the camel and it rises up with the Sphynx as the backdrop (8:23-8:54). The ship port sign says “Colombo”, which is in Sri Lanka (9:09). Men, women, and children sunbathers lounge on deck and play in the pool. Two women in bathing suits smoke cigarettes. Two men in speedos play volleyball. A game of shuffleboard and rope ring toss are shown (9:12-10:03).
MS Willem Ruys was a cruise ship based in Naples, Italy. She was built between 1939 and 1947 as a passenger liner for the Rotterdamsche Lloyd. In 1985, while serving under the name Achille Lauro, she was hijacked by members of the Palestine Liberation Front.
In other incidents, she also suffered two serious collisions (in 1953 with the MS Oranje and in 1975 with the cargo ship Youseff) and four onboard fires or explosions (in 1965, 1972, 1981, and 1994). In the last of these, in 1994, the ship caught fire and sank in the Indian Ocean off Somalia.
Motion picture films don't last forever; many have already been lost or destroyed. For almost two decades, we've worked to collect, scan and preserve the world as it was captured on 35mm, 16mm and 8mm movies -- including home movies, industrial films, and other non-fiction. If you have endangered films you'd like to have scanned, or wish to donate celluloid to Periscope Film so that we can share them with the world, we'd love to hear from you. Contact us via the weblink below.
This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com
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This untitled instructional film presented by the US Army from the 1950s shows an American soldier setting up various models of American-made military-grade landmines used throughout the Cold War. A land mine is an explosive device concealed under or on the ground and designed to destroy or disable enemy targets. The use of land mines is controversial because of their potential and indiscriminate weapons. They can remain dangerous many years after a conflict has ended and pose a threat to civilian safety. During the Cold War the United States used the M6 anti tank mine and trip-wire operated bounding antipersonnel mines such as the M2 and M16 which are some of the explosives featured in this instructional film.
Close-up of landmine being buried in soil (0:09). Hand turns dial on top of the landmine (0:40). A US Army soldier sets up and charges a 1950s M6 Landmine (0:51). Soldier sets up M14 Blast Mine (1:20). Soldier buries and disguises the M14 (3:45). Soldier places a safety pin around the indicator arrow to prevent premature explosion (4:16). Illustration of how buried M14 Landmine functions (5:18). Soldier sets up M16 Landmine (5:49). Illustration of explosion radius of the M16 (7:55).
Want to learn more about Periscope Film and get access to exclusive swag? Join us on Patreon. Visit https://www.patreon.com/PeriscopeFilm
Visit our website www.PeriscopeFilm.com
We encourage viewers to add comments and, especially, to provide additional information about our videos by adding a comment! See something interesting? Tell people what it is and what they can see by writing something for example: "01:00:12:00 -- President Roosevelt is seen meeting with Winston Churchill at the Quebec Conference."
This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com
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This film was created by Norman Schenker. "Alcoholism: Causes and Dynamics" puts studies the issue of alcoholism and works to show the psychiatric factors contributing to it, using an animal study using live domestic cats and alcohol. It was filmed at the University Clinic of Psychiatry and Neurology in Vienna (:16). Alcoholism is presented as a universal and social issue (1:07). Animal experiments shown supervised by Hans Rotter, M.D. (2:22). A healthy domestic cat slinks around the table prior to experiment (2:42). The experiment includes a served fish food cake (2:46) and a bowl of milk (3:04). The cat toys with a mouse in a cage showing it's natural instinct to hunt (3:28). The hierarchical role between cats is discussed (3:54). The cat learns to anticipate a reward at the close of a study (4:47) as viewers witness the cat becoming more accustomed to training and additional complex steps (6:49). Scientists learn the feline responds best to sound (6:58). The cat performs the entire experiment (8:00). Conditioned reflex is understood at this point of the experiment (8:59). Another cat is introduced (9:41). The less dominant cat awaits its turn (9:55). Alcohol is poured into a small pan next to the milk pan (10:13). Viewers are reminded the cat naturally does not prefer alcohol to its natural diet (10:22). Several dishes containing a milk and a milk alcohol mixture are set out (10:48). The cat can still tell which dish is just milk (11:00). A tube is now inserted into the box containing the fish food cake (11:57). Rather than the treat at the end of the activity, the cat receives a sharp spit of cool air which frightens and confuses the animal (12:41). The experiment continues as the treat and unpleasant reward are rotated (13:21) until the cat's psyche and natural instincts are completely confused. It withdraws into an escape corner; similarly to how one suffering with mental illness or trauma might (15:01). The psychoactive effects have caused the cat to lose interest in food (16:19). When faced with a live mouse; its natural instincts to hunt for survival have been depressed (16:34). The cat begins to look apathetic; eyes glaze over (16:51). When paired with a formerly submissive peer, the formerly dominant cat has now also lost this sense of dominance (17:19). When provided with a mixture of milk and alcohol the cat hesitates; briefly, though now begins to drink (17:45). With relaxed inhibitions and fear; he reaches for the food (18:15). His dominant ego swells from booze and he pushes the other cat away (18:52). Now given the option between pure milk and a milk alcohol mixture; the cat always chooses booze (20:06). At this point the cat exhibits full blown alcoholism. He no longer behaves in a cat-like way; he exhibits apathy and lies on his side as he drinks (21:11). He exhibits signs of a complete mental and physical breakdown; thus showing a state of adaptational conflict can result in experimental neurosis leading to a high risk of substance abuse. A caretaker must offer patience and compassion in order to help the cat recuperate (22:04). Close contact must first be established with the subject (22:14); the fur ball is cuddled and coed. This contact was reduced to minimal during the experiment. The caretaker strokes the cat as he balks at eating food (22:29); his former source of trauma. He begins to take little bits (22:41). Psychic conflict is reduced by consistent care (22:57). The caretaker works to quell fears of the box (23:19). He is able to perform the tasks of the experiment (24:08). When offered a glass of alcohol, the cat now refuses (24:43). How a human might behave in a similar test (25:34). The effects of alcohol on man’s mind (25:56) including the chance for relapse. Alcohol tolerance discussed (27:48). Methods for therapy and recuperation (29:48).
Motion picture films don't last forever; many have already been lost or destroyed. For almost two decades, we've worked to collect, scan and preserve the world as it was captured on 35mm, 16mm and 8mm movies -- including home movies, industrial films, and other non-fiction. If you have endangered films you'd like to have scanned, or wish to donate celluloid to Periscope Film so that we can share them with the world, we'd love to hear from you. Contact us via the weblink below.
This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com
