Mark Jones’ story in Florida illustrates how sentencing laws can put people who didn’t physically hurt anyone in prison for life. Watch an excerpt from the new documentary ‘Two Strikes,’ from FRONTLINE, The Marshall Project and Firelight Media.
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
Airing in a special two-part hour that goes inside America's criminal justice system, “Two Strikes” will be available to watch in full at pbs.org/frontline, on The Marshall Project's website, and in the PBS App starting Sept. 5, 2023, at 7/6c. "Two Strikes" will be available to watch at 10/9c on PBS stations and on YouTube. FRONTLINE's Sept. 5 hour will also include "Tutwiler," a look at the complexities of pregnancy in prison.
Learn more: https://www.pbs.org/wgbh/frontline/documentary/two-strikes/
"Two Strikes" is a FRONTLINE Production with Noncompliant Films in association with Firelight Media & The Marshall Project. The director and producer is Ursula Liang. The producer is Tessa Travis. The co-producer & reporter is Cary Aspinwall of The Marshall Project. Edited by Eugene Yi. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
#documentaryexcerpt #prison #criminaljustice #sentencing #florida
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
,1,The complex, contentious U.S.-China relationship is a high-profile issue President-elect Donald Trump will face in his second term. FRONTLINE’s timely investigation traces China’s emergence as one of the world’s wealthiest and most repressive countries, and the role of its longtime president, Xi Jinping.
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate
Offering a comprehensive look at Xi’s vision for China and the broader implications — from his crackdown on Muslims in Xinjiang to his provocative ambitions for Taiwan — “China, the U.S. & the Rise of Xi Jinping” also probes the state of China’s economy and its trade war with the U.S., the hostile China-U.S. relationship, the ramifications and what may come next.
With China largely shutting out the international media, the two-hour documentary draws on interviews with former Chinese Communist Party members, exiled human rights and democracy activists, academics, authors and journalists to trace the events that shaped President Xi. It examines the trajectory of his life, from being sent to the countryside to perform hard labor during the Maoist revolution, to his embrace of the Chinese Communist Party and his rise through its leadership, to how he has tightened his grip throughout his presidency.
“China, the U.S. & the Rise of Xi Jinping” is a FRONTLINE production with RAIN Media, Inc. The producers are Martin Smith, Marcela Gaviria and Brian Funck. The correspondent is Martin Smith. The co-producers are Scott Anger and Elizabeth Hope Williams. The writers and directors are Marcela Gaviria and Martin Smith.
Explore reporting related to “China, the U.S. & the Rise of Xi Jinping” on our website:
https://www.pbs.org/wgbh/frontline/documentary/china-the-u-s-the-rise-of-xi-jinping/
#Documentary #China #XiJinping #TradeWar
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from the Charina Endowment Fund and from Koo and Patricia Yuen.
CHAPTERS:
0:00 - Prologue
07:02 - How Did Xi Jinping’s Past Shape Him?
17:18 - Living in Communist Leader Mao Zedong’s China
21:25 - Xi’s Entry Into Local Politics in the 1980s
26:08 - The 1989 Tiananmen Square Protests and Crackdown
34:08 - Xi’s Rise to the Top of China’s Political Leadership
44:56 - Document Number Nine, the Chinese Government’s Internal Memo
53:19 - How China Treats Uyghur Communities in Xinjiang
1:04:51 - The U.S.-China Trade War During President Trump’s First Term
1:13:18 - How China Seeks to Gain Control of the South China Sea
1:19:14 - China and Hong Kong’s Relationship During Xi’s Tenure
1:27:31 - China and Taiwan’s Relationship During Xi’s Tenure
1:45:39 - Looking Ahead to China’s Future Under Xi
1:53:24 - Credits
,1,Returning to voters filmed in 2020, this 90-minute documentary explores how their hopes and fears have changed amid another polarizing election season.
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate
“American Voices 2024” begins in 2020, following ordinary Americans with different viewpoints as they dealt with COVID-19 in their communities that spring, responded to George Floyd’s murder that summer, and then participated in the election and its aftermath that fall. Then, the documentary revisits those same Americans from a mix of urban, rural and suburban areas as they reflect on the past four tumultuous years, navigate health and economic challenges, and share their perspectives on politics today.
Filmed everywhere from Texas to California; from Virginia to Minnesota; and from Iowa to Oregon, “American Voices 2024” is a journey across geography, race and politics that sheds light on where our country has been — and where it is headed.
“American Voices 2024” is a FRONTLINE production with Five O’Clock Films in association with DEC8 Productions and Mike Shum Productions. The producers are Qinling Li and Arthur Nazaryan. The writers are Qinling Li and Mike Shum. The director is Mike Shum. The senior producers are Callie T. Wiser and Frank Koughan. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
Explore reporting related to “American Voices 2024” on our website:
https://www.pbs.org/wgbh/frontline/documentary/american-voices/
#Documentary #Election2024 #Politics #UnitedStates #Economy #Health
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from the Charina Endowment Fund and from Koo and Patricia Yuen.
CHAPTERS:
00:00 - Prologue
03:00 - How Some Americans Responded to the COVID-19 Lockdown in 2020
14:28 - A Woman Who Contracted COVID and a Doctor Recall the Virus’ Challenges
19:33 - How Americans Viewed the Protests That Followed George Floyd’s Murder
39:58 - How Some American Voters Felt About the 2020 U.S. Presidential Election
53:31 - What Some Voters Think About America in 2024
1:08:52 - Ordinary Americans React to the 2024 Presidential Debate Between Harris and Trump
1:12:47 - U.S. Voters Share Their Hopes and Fears About the Future
1:22:17 - Credits
,1,The 2009 FRONTLINE documentary “Black Money” examined bribery allegations against international companies and explored how prosecutors around the world cracked down on the practice. (Aired 2009)
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate/
As pressure for profits increased on corporations during the global financial downturn of the late 2000s, the U.S. Department of Justice pursued an aggressive crackdown on an international business tactic: bribery. The 2009 documentary “Black Money” examined this shadowy side of international business. The film shed light on how some multinational companies routinely made secret payments — often referred to as “black money” — to win billions in business, and explored the crackdown being waged by prosecutors at the U.S. Department of Justice and allies abroad against companies including the British-based multinational defense company BAE Systems.
Explore developments in the BAE Systems case since this documentary aired:
https://www.pbs.org/frontlineworld/stories/bribe/2010/02/bae-to-pay-more-than-400-million-in-us-and-uk-fines.html
Explore reporting related to “Black Money” on our website:
https://www.pbs.org/wgbh/frontline/documentary/blackmoney/
#Documentary #BlackMoney #CorporateBribery
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FRONTLINE is produced at GBH in Boston and airs nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
,1,The 2007 documentary “Spying on the Home Front” examined then-President George W. Bush’s domestic war on terrorism and its implications for Americans’ civil liberties. (Aired 2007)
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate/
The attacks on 9/11 altered America in many ways, from barricades and body frisks in airports to greater government scrutiny of people’s records and electronic surveillance of their communications. The watershed, officials told FRONTLINE in the 2007 documentary “Spying on the Home Front,” was the government’s shift to a strategy of pre-emption at home — not just prosecuting terrorists for breaking the law, but trying to find and stop them before they struck.
The documentary probed the ramifications of that strategy, explored how the National Security Agency’s domestic surveillance program worked at the time, and examined various viewpoints on whether the Bush administration violated the Foreign Intelligence Surveillance Act and infringed on constitutional protections.
Read an update involving an AT&T case featured in the film:
https://www.pbs.org/wgbh/frontline/article/how-att-helped-the-nsa-spy-on-millions/
Watch FRONTLINE’s later films on U.S. government surveillance programs:
https://www.pbs.org/wgbh/frontline/documentary/united-states-of-secrets/
Explore related reporting on our website:
https://www.pbs.org/wgbh/frontline/documentary/homefront/
#Documentary #Surveillance #CivilLiberties #NSA
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FRONTLINE is produced at GBH in Boston and airs nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; the John D. and Catherine T. MacArthur Foundation; Park Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:00 - Prologue
08:01 - How Government Surveillance in the U.S. Changed After the 9/11 Attacks
16:58 - Revisiting the National Security Agency’s Post- 9/11 Surveillance Mechanisms
31:56 - A Look Back at Surveillance in One American City: Las Vegas
53:09 - Credits
,,Z4juJ2tDWpI,, Military,Society,Television_program, channel_UC3ScyryU9Oy9Wse3a8OAmYQ, video_Z4juJ2tDWpI,A 2016 report from inside the war-torn city of Benghazi — the birthplace of Libya’s 2011 uprising, later besieged by ISIS and warring militias. (Aired 2016)
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate
While making this 2016 documentary in Benghazi, reporter Feras Kilani gained rare access to Libyan forces fighting for control of the city against ISIS and other extremist groups. By that point, the battle had been going on for over 18 months, with more than 100,000 residents displaced by the fighting, and Libya was ISIS’ biggest base outside Syria and Iraq. In “Benghazi in Crisis,” Kilani followed Libyan fighters battling for a central point in the city, filmed the stories of displaced civilians and offered a rare and grim look inside a city in turmoil.
Explore additional reporting on "Benghazi in Crisis" on our website:
https://www.pbs.org/wgbh/frontline/documentary/benghazi-in-crisis/
#Documentary #Libya #Benghazi
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional support for FRONTLINE is provided by the Abrams Foundation, Park Foundation, the John D. and Catherine T. MacArthur Foundation, the Heising-Simons Foundation, and the FRONTLINE Journalism Fund, with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
00:12 - The Fight Against ISIS in Benghazi, Libya, in 2015-16
11:05 - Libyans Displaced by the Fight Against ISIS in Benghazi
16:23 - Credits
,1,An investigation of allegations that the New Orleans Police Department inappropriately used lethal force against New Orleans citizens in the aftermath of Hurricane Katrina and then tried to cover up their actions. (Aired 2011)
This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate.
Henry Glover was last seen alive in the backseat of a white Chevy Malibu on Sept. 2, 2005, just days after Hurricane Katrina hit. His charred remains would later be discovered on the banks of the Mississippi River, inside a car that had apparently been set on fire. FRONTLINE, in partnership with ProPublica and The Times-Picayune, dug into Glover’s death and a number of incidents in which police shot civilians in New Orleans in the chaotic aftermath of Hurricane Katrina. The investigation revealed that, in the midst of post-Katrina chaos, law-enforcement commanders issued orders to ignore long-established rules governing use of deadly force.
Explore additional reporting related to "Law & Disorder" on our website:
https://www.pbs.org/wgbh/frontline/documentary/law-disorder/
#Documentary #HurricaneKatrina #NewOrleans
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
CHAPTERS:
Prologue - 00:00
A Burned Body in Hurricane Katrina’s Aftermath - 01:49
Chaos and Confusion Post-Hurricane Katrina - 11:32
Questionable Police Shootings in Hurricane Katrina’s Wake - 20:33
Who Shot Henry Glover? - 25:09
New Orleans Police Department’s History of Scandal - 40:20
Indictments in Henry Glover's Death - 49:11
Credits - 53:09
,1,Tragic news out of southern Gaza today, as 21 IDF soldiers were killed in an RPG attack from a Hamas terrorist. Meanwhile up along the northern border, a critical Israeli air traffic control base was attacked by a Hezbollah missile barrage. How much longer can Israel delay the inevitable great northern war with the Iranian proxy? And while violent chaos is circling the Jewish State on all sides, the European Union is now pushing with all its might to force Israel to accept the creation of Palestinian State. Watch now!
#Israel #Hezbollah #EuropeanUnion #TheWatchman
Be sure to check out State of the Nation 2024: TBN Town Hall TONIGHT at 8ET/7CT on TBN and the TBN app.
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,1,******* I re-uploaded this video because YouTube slapped an age-restriction on the original version (after 365,000 views), which drastically reduces who else will see it.
The only difference between this video and the original is the removal of 2 clips (at 15:50 and 16:14) showing Antifa protestors attacking people.
I will keep the original version up as well. But if you want to watch that version, you need to be signed into YouTube.
**************
I did a short video on citizen journalists, like Tim Pool. But the entire story of Pool’s career deserves more time.
————
To make sure you see the new weekly video from Stossel TV, sign up here: https://www.johnstossel.com/#subscribe
————
Tim Pool is a very successful journalist.
He has millions of subscribers on multiple channels.
Yet Pool never went to journalism school. In fact, he didn’t even finish high school.
Pool became a respected reporter, just by doing it--going there and covering things the mainstream media miss.
He’s reported from global hotspots, gone into the middle of riots, and exposed media bias.
This is my full interview with Pool.
,1,Mark Jones’ story in Florida illustrates how sentencing laws can put people who didn’t physically hurt anyone in prison for life. Watch an excerpt from the new documentary ‘Two Strikes,’ from FRONTLINE, The Marshall Project and Firelight Media.
This journalism is made possible by viewers like you. Support your local PBS station here: http://www.pbs.org/donate.
Airing in a special two-part hour that goes inside America's criminal justice system, “Two Strikes” will be available to watch in full at pbs.org/frontline, on The Marshall Project's website, and in the PBS App starting Sept. 5, 2023, at 7/6c. "Two Strikes" will be available to watch at 10/9c on PBS stations and on YouTube. FRONTLINE's Sept. 5 hour will also include "Tutwiler," a look at the complexities of pregnancy in prison.
Learn more: https://www.pbs.org/wgbh/frontline/documentary/two-strikes/
"Two Strikes" is a FRONTLINE Production with Noncompliant Films in association with Firelight Media & The Marshall Project. The director and producer is Ursula Liang. The producer is Tessa Travis. The co-producer & reporter is Cary Aspinwall of The Marshall Project. Edited by Eugene Yi. The editor-in-chief and executive producer of FRONTLINE is Raney Aronson-Rath.
#documentaryexcerpt #prison #criminaljustice #sentencing #florida
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FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen.
,1,CNN's Erin Burnett takes us through the night four Americans lost their lives in an terror attack in Benghazi, Libya. More from CNN at http://www.cnn.com/
