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Two Strikes (full documentary) | FRONTLINE

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,The theatrical version of “Two Strikes,” a film produced as part of FRONTLINE’s fellowship with Firelight Media, tells the story of how Mark Jones, a former West Point cadet struggling with PTSD and alcoholism got life in prison in Florida after an attempted carjacking. This journalism is made possible by viewers like you. Support your local PBS station here: https://www.pbs.org/donate. Through the lens of Jones’ case, the documentary explores how statutes like Florida’s so-called “two-strikes” law, more formally called the Prison Releasee Reoffender law, can result in people getting mandatory maximum sentences, including life in prison, for crimes in which no one is injured. While Florida’s statute is among the strictest, many states have laws that increase prison time for repeat offenses. “Two Strikes” is a FRONTLINE Production with Noncompliant Films in association with Firelight Media & The Marshall Project. The director and producer is Ursula Liang. The producer is Tessa Travis. The co-producer & reporter is Cary Aspinwall of The Marshall Project. Explore additional reporting related to "Two Strikes" on our website: https://www.pbs.org/wgbh/frontline/documentary/two-strikes/ #Documentary #Prison #CriminalJustice #Florida Subscribe on YouTube: http://bit.ly/1BycsJW Instagram: https://www.instagram.com/frontlinepbs Twitter: https://twitter.com/frontlinepbs Facebook: https://www.facebook.com/frontline FRONTLINE is produced at GBH in Boston and is broadcast nationwide on PBS. Funding for FRONTLINE is provided through the support of PBS viewers and by the Corporation for Public Broadcasting. Additional funding is provided by the Abrams Foundation; Park Foundation; the John D. and Catherine T. MacArthur Foundation; and the FRONTLINE Journalism Fund with major support from Jon and Jo Ann Hagler on behalf of the Jon L. Hagler Foundation, and additional support from Koo and Patricia Yuen. Major support for FRONTLINE and for “Two Strikes” and “Tutwiler” is from the Corporation for Public Broadcasting. Additional support for “Tutwiler” is from the Lisa & Douglas Goldman Fund.